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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell alongside Marc Almond in Leeds in 1977

Dave Ball, a key member of the innovative 1980s electronic music duo Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the pair achieved a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a classic of electronic music.

He later founded the pioneering electronic act The Grid, who secured popular acclaim with their 1994 single Swamp Thing.

Ball died peacefully in his sleep at his residence in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Recent Health Challenges

At that show, Ball performed in a wheelchair, as he had for the last two years, following a period of health issues.

"I ended up injure myself quite a bit," he stated in 2023. "I broke spinal bones in my spine and cracked about multiple ribs and broke my wrist."

After catching pneumonia and developing blood poisoning, he was put in an medically-induced sleep and stayed in hospital for half a year.

Nevertheless, he had been in "a great place mentally" over the warmer months, as he was developing a new album with Almond, called Danceteria, which is scheduled for publication next year.

"He was concentrated and very pleased with the new album that we actually finished only a short time ago," stated the vocalist in a tribute.
"It's so sad as next year was all set to be such an positive time for him, and I find comfort from the knowledge that he heard the finished record and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond described his bandmate as "a wonderfully brilliant musical genius", adding: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an immense aspect of my existence and for the music you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support".

"Forming a partnership with someone is distinct from joining a group, the connection is incredibly close," he added.
"That's how it was with us. We went through so many remarkable, extraordinary, life-affirming moments as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Formative Years

Born into a single-parent household in Chester in 1959, Ball was given up for adoption when he was 18 months old.

He grew up in Blackpool with adoptive parents Donald and Brenda Ball, who altered his first name from Paul to his adopted name, together with his younger sister his sister, who was also adopted.

He encountered Almond at Leeds Polytechnic in 1977, where they were both learning fine arts. Inspired by a mutual passion of Northern Soul, they established Soft Cell the very year, and promptly recorded an EP.

Musical Partnership

The duo were an distinctive combination: Ball was the reserved musician, hunched over his keyboard, while Almond was a charismatic performer, all glitter and eye-liner; but they achieved a unique musical alchemy.

Ball had cultivated a interest with electronic instruments after viewing Kraftwerk perform on a television science show Tomorrow's World, and began to marry moody electronic sounds to the catchy tunes Almond was writing.

Their signature song became the United Kingdom's second biggest-selling single of 1981, shifting 21 million units globally. Alongside successful tracks by Gary Numan, contemporary bands and Ultravox, it contributed to paved the path for the synth-pop sound of the 80s.

The track was also featured on their full-length debut, their initial LP, which spawned two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The duo were developing fresh songs until just before Ball's passing

Career Highlights

Success had its upsides. "I loved being able to afford my initial property, having financial security and travelling, which makes me sound like a beauty queen," Ball not long ago shared with a publication.

But it also caused challenges. "Newfound wealth meant we could afford newfound drugs to alleviate the monotony" of media interviews and television shows, Ball explained.

"I know that's a common saying, but it's a truism for a good reason, because it applies for so many bands."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they succeeded to create a second classic album - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They put out one more album, their 1984 release This Last Night In Sodom, before ending the group to concentrate on other projects.

Almond went on to have a successful individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with melodic sounds over a enduring partnership.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, releasing the Top 40 record Cruelty Without Beauty.

After another hiatus, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the O2 Arena on September 30, that year.

Yet, they stayed active, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately described the band's upcoming release as a tribute to the New York club scene they frequented while recording their initial records.

He added that his time in medical care had shaped the group's music.

"I experienced unusual memories when I was in and out of the hospital because I was on pain medication," he explained to a publication.
"The new songs are a digital reflection of the sounds in my mind from that time.
"Simultaneously, it's about the experiences we had in the 1980s."

The last versions were completed only days before Ball passed away. It is scheduled for release in the spring of 2026.

Written by

Mariah Frank

Wildlife biologist with over a decade of experience studying sloths in Central America, passionate about conservation and environmental education.

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